2011年 合氣道一劍入身 悟道記_新竹合氣道場_蔣昌言
發表於 : 週二 10月 22, 2013 6:43 pm
今天跟吉興師兄練習 "順抓居合之半身轉換拔刀入身摔"
突然悟出入身摔的奧義
(光講出這....麼長的技法名字時，我都覺得自己很威...)
整個氛圍就像是老師指導我，把入身摔重新練了一遍，入身摔整個重生了...
我想這就是練習居合劍法可以幫助合氣技法的一大鐵證
所以，老夫法號從此要改為 "一劍入身" 來紀念今天的悟道
（謎之音: 法號沒有人在改來改去的啦! 豬頭!）
好吧！老夫是鄉下人，不知道法號不能想改就改
旣然有人有異議，那法號就不改來改道號成"一劍入身"好了...Faint...
在開頭的離題胡說八道之間
除了展現合氣道的圓融自適和隨機應變精神
更展現了老夫一向的自我中心和任性妄為
也因為這種自我中心的精神
在今天的練習中
當老師要求當受方緊握住我充滿殺氣的拔刀右手時
我還是自顧自地的扭腰轉身
利用半身轉換將受方的手延伸到我往右外轉的方向去
就在這種把受方捲進來，轉到了受方都一直踮腳尖，來追著我向外延伸的劍時
噠噠! 這時候，就是今天的大悟道重點!.....
我沒持劍的左手，突然職業病地以為是下班的應酬
搭在受方的左肩上
(入身摔也是可以巴在受方的左臉頰啦！但是我一向沒有這麼下流...)
就像在跳探戈搭女伴的方式
這時，我突然感覺到好像轉圈的勢頭變得超級順，連自己都快停不下來
向外延伸的右手劍更像是有自己的生命，都快飛起來了...
【重點是: 要心裡想著把重心放在受方的.左.肩., 而不是直覺的放在自己左腳】
受方這時，也被帶得莫名其妙吧！？
隨著我右手的劍一直前撲，無法自拔、愈轉愈快愈心虛
步法也浮了起來，但是手又不敢放
這時，我右手把劍像浪頭一般舉高
舉劍遲 轉劍快 劍刃瞬間逆轉朝回受方衝來的勢頭
再順著劍勢的慣性，"放"到受方身上
果然....順啦！
以上這就是今天體會到的奧義
真是....啊.....
以往，左手都不知道在做什麼事去了,
難怪一個入身做起來，受方都還可以跟隔壁的隊友打招呼，聊天...
今天加上搭肩的小秘訣，原來的旋轉力放大了N倍以上,
在金錢X裡, 裝熟搭MM肩膀的練習果然派上用場了
(明明是想漂白不當行為的不負責任說法... )
如果，有其他道友也有練習上述技法的場合時
(強調是入身摔技法，不要想別的...),
不妨試一下哇奔郎的分享，好用要跟我講哦! 啾咪!
AA..那個誰，白白和Jojo!!
我們是不是該來練習一下"順抓居合之半身轉換拔刀入身摔"了...
Irimi with Sword Artis JIANG, 1st Dan of the Hsinchu Dojo
Today, with Dojo brother Mr. CHEN, I practiced "Ai.te-Dori I.ai no Hami.Tenkan Ba-ttou Irimi Nage”(same side hand grasping semi-body transform with sword drawing entering throw), Suddenly I realize the physic mean of Irimi-Nage.
(Just speak out of such a Loooooo…ng term of technique name, I can not help to be proud of myself as so cool… :p )
The whole scenario is like that the coach is inspiring me to practice Irimi-Nage again from the begin to end. The Irimi-Nage rebirth to me again...
I believe this is the very evidence of practice Aikido-Iai swordsmanship can help to improve bare-hand aikido techniques.
Therefore, I decide to change my Aikido practice name as "Irimi with sword" to commemorate today's enlightenment.
Mysterious voice from Heaven: Nobody change the aikido practice name such frequently, beaver!
All right, all right! Since I am from the urban far far away and no idea of practice name can not be changed frequently.
However, following someone’s complain, this will be the last time for me to change the aikido practice name as "Irimi with sword". Yah! believe me, I swear. (Cross fingers behind ...)
Although Irrelevant nonsense drives this subject far away from the beginning. Besides the harmony of Aikido adaptive and flexible spirit, it
also shows my unique characteristic of self-centered and willful.
However, just because of this self-centered spirit,
In today's exercise,
When coach FENG assigned the course for uke to tightly grasp my right hand, the hand is drawing sword with full of murderous intent.
For me, without caring of uke's mood, just keep twisting my waist and turning body around,
take the advantage of semi-body transform to extend uke’s grasp hand over the side of my right hand and forward to the outside direction.
That will keep uke to getting in my twist, till uke whirl-in on his tiptoe to chase my sword outward.
Ta-da! In the same time, the focus of today's great enlightenment pops out!......that is...
Since my left hand is available, so it suddenly tap on uke’s left shoulder,
(As Irimi-Nage does, my left hand also can lay on uke’s left cheek in flirtation. But, you know that is not my style…;) )
As in the tango-like steps, it take the companion way
At the moment, I suddenly felt as if the momentum of a circular motion becomes to super smooth, almost could not be controlled by my own will.
Outward extension of the right hand is more like the sword has got its own life, almost fly up ...
The key point is: Always keep in mind to focus on uke’s left shoulder., rather than in intuition on your left foot.
At the specified moment, uke is supposed to be confused somehow!
As uke forwardly follows the sword of my right hand, he can not extricate themselves. The faster whirl the turning, the more timid he becomes.
His steps also float up, and his hand does not dare to release grasping.
Right there, my right hand sword fly high like a rage tsunami,
sword fly slowly, sword turns swiftly; the blade reverse instantly and rushed towards back to the coming impetus of uke.
Follow along sword's inertia, "laid" onto uke's body...
Sure enough ... successfulness!
Above is the physic meaning what I realized today.
In the past, my left hand did not aware what it was doing.
No wonder uke can say hello to next teammate during practice.
Today, with newly discovering tip of “tap-on-shoulder”, the rotation force is amplified up above N-times magnification to original.
If there are other fellow have the occasion to practice the techniques, please try above tip which I shared! Any comment is welcome.
I.ri.mi:
(入り身) Aikido terminology in Japanese, http://en.wikipedia.org/wiki/Irimi
突然悟出入身摔的奧義
(光講出這....麼長的技法名字時，我都覺得自己很威...)
整個氛圍就像是老師指導我，把入身摔重新練了一遍，入身摔整個重生了...
我想這就是練習居合劍法可以幫助合氣技法的一大鐵證
所以，老夫法號從此要改為 "一劍入身" 來紀念今天的悟道
（謎之音: 法號沒有人在改來改去的啦! 豬頭!）
好吧！老夫是鄉下人，不知道法號不能想改就改
旣然有人有異議，那法號就不改來改道號成"一劍入身"好了...Faint...
在開頭的離題胡說八道之間
除了展現合氣道的圓融自適和隨機應變精神
更展現了老夫一向的自我中心和任性妄為
也因為這種自我中心的精神
在今天的練習中
當老師要求當受方緊握住我充滿殺氣的拔刀右手時
我還是自顧自地的扭腰轉身
利用半身轉換將受方的手延伸到我往右外轉的方向去
就在這種把受方捲進來，轉到了受方都一直踮腳尖，來追著我向外延伸的劍時
噠噠! 這時候，就是今天的大悟道重點!.....
我沒持劍的左手，突然職業病地以為是下班的應酬
搭在受方的左肩上
(入身摔也是可以巴在受方的左臉頰啦！但是我一向沒有這麼下流...)
就像在跳探戈搭女伴的方式
這時，我突然感覺到好像轉圈的勢頭變得超級順，連自己都快停不下來
向外延伸的右手劍更像是有自己的生命，都快飛起來了...
【重點是: 要心裡想著把重心放在受方的.左.肩., 而不是直覺的放在自己左腳】
受方這時，也被帶得莫名其妙吧！？
隨著我右手的劍一直前撲，無法自拔、愈轉愈快愈心虛
步法也浮了起來，但是手又不敢放
這時，我右手把劍像浪頭一般舉高
舉劍遲 轉劍快 劍刃瞬間逆轉朝回受方衝來的勢頭
再順著劍勢的慣性，"放"到受方身上
果然....順啦！
以上這就是今天體會到的奧義
真是....啊.....
以往，左手都不知道在做什麼事去了,
難怪一個入身做起來，受方都還可以跟隔壁的隊友打招呼，聊天...
今天加上搭肩的小秘訣，原來的旋轉力放大了N倍以上,
在金錢X裡, 裝熟搭MM肩膀的練習果然派上用場了
(明明是想漂白不當行為的不負責任說法... )
如果，有其他道友也有練習上述技法的場合時
(強調是入身摔技法，不要想別的...),
不妨試一下哇奔郎的分享，好用要跟我講哦! 啾咪!
AA..那個誰，白白和Jojo!!
我們是不是該來練習一下"順抓居合之半身轉換拔刀入身摔"了...
Irimi with Sword Artis JIANG, 1st Dan of the Hsinchu Dojo
Today, with Dojo brother Mr. CHEN, I practiced "Ai.te-Dori I.ai no Hami.Tenkan Ba-ttou Irimi Nage”(same side hand grasping semi-body transform with sword drawing entering throw), Suddenly I realize the physic mean of Irimi-Nage.
(Just speak out of such a Loooooo…ng term of technique name, I can not help to be proud of myself as so cool… :p )
The whole scenario is like that the coach is inspiring me to practice Irimi-Nage again from the begin to end. The Irimi-Nage rebirth to me again...
I believe this is the very evidence of practice Aikido-Iai swordsmanship can help to improve bare-hand aikido techniques.
Therefore, I decide to change my Aikido practice name as "Irimi with sword" to commemorate today's enlightenment.
Mysterious voice from Heaven: Nobody change the aikido practice name such frequently, beaver!
All right, all right! Since I am from the urban far far away and no idea of practice name can not be changed frequently.
However, following someone’s complain, this will be the last time for me to change the aikido practice name as "Irimi with sword". Yah! believe me, I swear. (Cross fingers behind ...)
Although Irrelevant nonsense drives this subject far away from the beginning. Besides the harmony of Aikido adaptive and flexible spirit, it
also shows my unique characteristic of self-centered and willful.
However, just because of this self-centered spirit,
In today's exercise,
When coach FENG assigned the course for uke to tightly grasp my right hand, the hand is drawing sword with full of murderous intent.
For me, without caring of uke's mood, just keep twisting my waist and turning body around,
take the advantage of semi-body transform to extend uke’s grasp hand over the side of my right hand and forward to the outside direction.
That will keep uke to getting in my twist, till uke whirl-in on his tiptoe to chase my sword outward.
Ta-da! In the same time, the focus of today's great enlightenment pops out!......that is...
Since my left hand is available, so it suddenly tap on uke’s left shoulder,
(As Irimi-Nage does, my left hand also can lay on uke’s left cheek in flirtation. But, you know that is not my style…;) )
As in the tango-like steps, it take the companion way
At the moment, I suddenly felt as if the momentum of a circular motion becomes to super smooth, almost could not be controlled by my own will.
Outward extension of the right hand is more like the sword has got its own life, almost fly up ...
The key point is: Always keep in mind to focus on uke’s left shoulder., rather than in intuition on your left foot.
At the specified moment, uke is supposed to be confused somehow!
As uke forwardly follows the sword of my right hand, he can not extricate themselves. The faster whirl the turning, the more timid he becomes.
His steps also float up, and his hand does not dare to release grasping.
Right there, my right hand sword fly high like a rage tsunami,
sword fly slowly, sword turns swiftly; the blade reverse instantly and rushed towards back to the coming impetus of uke.
Follow along sword's inertia, "laid" onto uke's body...
Sure enough ... successfulness!
Above is the physic meaning what I realized today.
In the past, my left hand did not aware what it was doing.
No wonder uke can say hello to next teammate during practice.
Today, with newly discovering tip of “tap-on-shoulder”, the rotation force is amplified up above N-times magnification to original.
If there are other fellow have the occasion to practice the techniques, please try above tip which I shared! Any comment is welcome.
I.ri.mi:
(入り身) Aikido terminology in Japanese, http://en.wikipedia.org/wiki/Irimi